An artist and former high school art teacher, the spirit has nver been separated from work and life. Yet, four years ago while a doctoral student, I contemplated leaving the field of art education altogether. During my Master's degree at a research one institution, I felt as if I no longer fit... I was asking research questions that seemed to surpass the boundaries of the contemporary articles in our field which placed emphasis upon critical/social theory and visual culture. While these issues are relevant and should inform our perceptions, I felt as if the role of experience, arts based inquiry, and the role of art practice itself, had been forgotten. In my own dissertation, I illuminate the many ways that art functions for personal and social transformation. Yet, these spaces merge the object and the subject into a complex dance deeply rooted in the human factor. It is a third space that gives voice to the essentials of developing an inner life and dialogue that connects us to awakened consciousness, identity, wholeness, and interdependence.
I have had the priviledge of working as a teaching assistant at the Japan House, a cultural center dedicated to teaching "peace through a bowl of tea". As part of the Zen Aesthetics we discuss, MA is a very important concept used to discuss the quality of an energetic, pregnant, and life-filled space necessary within all traditional art forms.
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